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Waters explained at the Q&A that he was struggling to come up with futuristic things to find in a 2032 toilet, explaining, ' I called my buddy, another screenwriter across town, asked him if he had any ideas.' The story is totally in keeping with the ridiculousness of Demoltion Man as a movie, too. Spartan gets a ticket for each word, gathers a pile of tickets in his hand, and announces that he now has the paper he needs. Those lighter, impish moments are what give 'Demolition Man' many of its more appealing qualities.Waters, though he didn't reveal how to truly use the three seashells in Demolition Man, did detail how he came up with the idea and gave more information about the call with his screenwriter friend. Spartan, needing toilet paper, walks up to a wall-mounted misdemeanor dispenser and calmly speaks multiple cuss words at it. In one of the film's funnier scenes, Sgt. Stallone capably plays a brusque buffoon who has to get used to a world where he wasn't welcome. The action is great, and the sci-fi intriguing, but the culture clash is where its heart lies. Overall, however, Brambilla's film is a comedy first. It may have an essayic undercurrent of conservatism run amok, and the dangers of a right wing-extrapolated utopia (it came out during the Clinton administration, but the fears lingered). Indeed, the spirit of prankstership likely informed 'Demolition Man' as a whole. Golf tees up his nose, and Bullock is at ease.

While Stallone may not have been a student of the Meisner technique, he clearly had enough wherewithal to keep the tone on set light, and to retain his sense of humor.

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